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Jan 15 2020

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Theater for the New City Nurturing established and emerging playwrights Now Playing Now Playing The AFTER-SCHOOL THEATER ARTS PROGRAM is a primary element of Theater for the

Theater for the New City

Nurturing established and emerging playwrights

Now Playing

Now Playing

The AFTER-SCHOOL THEATER ARTS PROGRAM is a primary element of Theater for the New City (TNC)’s community programming and its mission to “bring theater into the community and the community into the theater”. The program is offered biannually free of charge and is designed to meet the diverse needs of children and teens with little or no exposure to the arts by providing them with a safe haven to learn and create in a non-traditional setting.

Donald E. Lacy Jr.’s one-man show, “ColorStruck,” begins as a comedic autobiography of an outsider: a sensitive, light-skinned African American man growing up in Oakland during the height of the Black Pride movement. It morphs into an interactive experience for all races that dissects color-consciousness and the assumptions that underlie institutional racism.

Kevin, a surviving activist from the front lines of the AIDS crisis, finds himself struggling to find his place and purpose in contemporary gay culture. When a gay fundraising event threatens to erase the history he was part of creating, Kevin’s anger and passion are renewed and he is confronted with the challenge of how to motivate change in this new climate of visibility. Along the way, Kevin’s raw and slightly unhinged methods provoke everyone who can help him, damage long friendships and eventually expose some dark secrets.

Hilarious, sharp, and deeply moving, Still at Risk is a powerful look at the personal and political hazards of rewriting the past and one man’s attempt to move forward. Full Casting for Still at Risk will be announced in the coming weeks.

A multi-course banquet of circus theater, featuring the artists of:

Constellation Moving Company
Hybrid Movement Company
Eckszooberante

March 14-17, 2019
Thursday, Friday and Saturday at 8:00, Sunday at 3:00

Tickets $18 general admission; $15 students and seniors

Program 2: Triple Bill

–Kromatik:
Hybrid Movement Company

–The Unfolding Sky:
Constellation Moving Company

–Newspaper Ninja and Friends:
Eckszooberante

–plus cool new stuff by Summer Lacy, Medea, Kelsey Strauch

Coming Soon

Four sideshow performers in a 1933 time warp find themselves on a strange landscape, not knowing how they got there. A surreal romp with songs.

NEW YORK, January 29 — From March 21 to April 7, Theater for the New City, 155 First Ave., will present Czechoslovak-American Marionette Theatre (CAMT) in an update of its perennially popular “Johannes Dokchtor Faust, a Petrifying Puppet Comedye,” translated and directed by Vit Horejs. This classic of the Czech marionette repertoire is traditionally used to make fun of a king or a local mayor. The company’s adaptation was initially developed in 1990 and its topical references will be updated for current times.

The CEO of a global conglomerate struggles to deliver what he must every quarter, regardless of the problems the company faces. Based loosely on the collapse of General Electric.

Do you want to be seen in the gallery scene?

TIME IT IS: TO MUSIC is a new musical based on the award-winning, hit off-off-Broadway play, TIME IT IS, by Lissa Moira. With an intricate, multivariate score and poetic book, TIME IT IS: TO MUSIC challenges the audience to dare to see outside the box of contemporary musical theater—and themselves.

Where Do All the Ghosts Go? is a dark comedy about the effects of the demolition of a historic NYC building on the ghosts of significant people that have made it their post-life home. brings together five ghosts who faced adversity in life. Sarah Bernhardt, baptized Catholic, faced anti-Semitism in the 19th century for publicly acknowledging her Jewish heritage; Elizabeth Keckley, a former slave and companion of Mary Todd Lincoln, encountered racism and segregation during travels with the widow; Buffalo Bill, Indian fighter in his younger years, employed American Indians in his wild west shows and mourned the death of his great friend Chief Sitting Bull; Marcel Duchamp created a controversial genre of visual art using found objects; Alice Lansen, accused thief, was a self-proclaimed baroness.

Affirmation Theatre Company returns this April with Graphite, a play about the experiences of students of color who attend performing arts programs in predominantly white universities.

Graphite is a powerful and poignant devised piece about what it means to create art in a white space. Making its world premiere, the play will run April 11th through April 21st in the Cabaret Theatre at Theatre for the New City.

The Graphite Ensemble has worked tirelessly for the past year collecting and compiling true accounts from students of color at predominantly white universities across the country. They invite us to reflect and take action in our own lives with a heightened awareness of the persistent forms of systemic privilege that cause great harm to all those seen as “other.”

What do you get when you combine a corrupt gynecologist, plastic surgery look-a-likes, a lascivious surgeon, a jittery liberal engaged to a staunch conservative, a mysterious man hired for his sexual dexterity and a forgetful Holocaust survivor? You get Knock It Off: A Farce!

The motto of the festival is “Dream Up: Invent, Concoct.” The festival is dedicated to new works. The question of the artist’s vision to free or attack the material will be asked in each application. The festival does not want traditional theater which is presented in a traditional way. Theater for the New City wants to use this festival as a way to push ideas to the forefront with the hope of revealing roads less traveled or undiscovered. Presentation of a straightforward play must be imaginative in some way.

Festival performance dates:
August 25 – September 15, 2019.
All performances will take place at Theater for the New City.

THEATER FOR THE NEW CITY’s Dream Up Festival 2019: Submission Fee Form

Early Submissions: February 11 to March 22, $30 General Submissions: March 23 to May 10, $40

New Website Launch!

After 20 years, Theater for the New City has remade its website. The original site was made by David Aronson in 1998 and lasted more than anyone ever thought it could. Now David has redesigned and programmed the site using WordPress. Tell us what you think in the comments.

THEATER FOR THE NEW CITY (TNC) is a Pulitzer Prize-winning community cultural center that is known for its high artistic standards and widespread community service. One of New York’s most prolific theatrical organizations, TNC produces 30-40 premieres of new American plays per year, at least 10 of which are by emerging and young playwrights. Many influential theater artists of the last quarter century have found TNC’s Resident Theater Program instrumental to their careers, among them Sam Shepard, Moises Kaufman, Richard Foreman, Charles Busch, Maria Irene Fornes, Miguel Piñero, Jean-Claude van Itallie, Vin Diesel, Oscar Nuñez, Laurence Holder, Romulus Linney and Academy Award Winners Tim Robbins and Adrien Brody. TNC also presents plays by multi-ethnic/multi-disciplinary theater companies who have no permanent home. Among the well-known companies that have been presented by TNC are Mabou Mines, the Living Theater, Bread and Puppet Theater, the San Francisco Mime Troupe and COBU, the Japanese women’s drumming, and dance group.TNC also produced the Yangtze Repertory Company’s 1997 production of BETWEEN LIFE AND DEATH, which was the only play ever produced in America by Gao Xingjian before he won the 2000 Nobel Prize for Literature. TNC seeks to develop theater audiences and inspire future theater artists from the often-overlooked low-income minority communities of New York City by producing minority writers from around the world and by bringing the community into theater and theater into the community through its many free Festivals. TNC productions have won the Pulitzer Prize for Drama and over 42 OBIE Awards for excellence in every theatrical discipline. TNC is also the only Theatrical Organization to have won the Mayor’s Stop The Violence award.

Theater for the New City

Crystal Field, Executive Artistic Director

155 First Avenue
(between 9th and 10th Streets)
New York, NY 10003

Telephone: (212) 254-1109
Fax: (212) 979-6570

Tax ID #:13-2694851

Theater For The New City is a Not-For-Profit 501(c)3 corporation

ALL PROGRAMS SUBJECT TO CHANGE.

RESERVATIONS HELD ONLY UNTIL TEN MINUTES TO CURTAIN.

PLEASE ARRIVE AT LEAST TEN MINUTES EARLY.

Theater for the New City gives special thanks to the Christopher & Dana Reeve Foundation for its Quality of Life Grant in support of our on going effort to obtain a Handi-lift Elevator. Folks WE ARE 75% of the way there and the Reeve Foundation has been a beautiful and important part of our struggle to be totally accessible to all of our audience. They have helped greatly in the match for the grant from the New York State Council on the Arts (NYSCA). We will shortly be announcing the names of other donors for this important project. A project that gives disabled and frail elderly patrons and artists accessibility to our lower level theater and to a large part of our production facilities.

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